Enter the Void
dir. Gaspar Noé
Noé remains a phenomenal stylist and technician, and there are moments in Enter the Void not quite like anything else in narrative cinema. It seems designed for drug-enhanced viewings, where everything stupid and faux-provocative might be outweighed by its acid-trip sensory overload. But viewed sober, the film's buzz wears off after about 30 minutes, and the movie keeps going, inexplicably, until, like a bad trip, you just wish it would stop.
Read more at Slant Magazine.
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Intro | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11
Machete
dir. Robert Rodriguez
Seemingly more interested in ridicule than homage, Rodriguez buries everything transgressive and prurient about grindhouse under layer after layer of obvious, calculated irony.
Read more at Slant Magazine.
Scott Pilgrim vs. the World
dir. Edgar Wright
The balancing act between satirical pastiche and homage is a tricky one; if there were still any doubts as to Wright’s ability, Scott Pilgrim should put them to rest.
Read more at In Review Online.
Soul Kitchen
dir. Fatih Akin
Broad and goofy and intentionally brainless. Though it takes a while to get going, a movie this single-mindedly eager to please is awfully hard not to like.
Read more at In Review Online.
