To the Wonder
dir. Terrence Malick
Malick locates the mundane in the ineffable and the ineffable in the mundane. The way Malick shoots the everyday locales of middle America–the laundromats and Sonic drive-thrus–recasts them as every bit as marvelous as Mont Saint-Michel. (Critics who see this as yet another story of surburbia’s suffocating boredom are either not paying attention or projecting their own prejudices.) The sublime and the material aren’t mutually exclusive. They coexist, one in the other.
Read more at Nonsense on Stilts
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Intro | Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11
Machete
dir. Robert Rodriguez
Seemingly more interested in ridicule than homage, Rodriguez buries everything transgressive and prurient about grindhouse under layer after layer of obvious, calculated irony.
Read more at Slant Magazine.
Scott Pilgrim vs. the World
dir. Edgar Wright
The balancing act between satirical pastiche and homage is a tricky one; if there were still any doubts as to Wright’s ability, Scott Pilgrim should put them to rest.
Read more at In Review Online.
Soul Kitchen
dir. Fatih Akin
Broad and goofy and intentionally brainless. Though it takes a while to get going, a movie this single-mindedly eager to please is awfully hard not to like.
Read more at In Review Online.
